Pigments ground in cold-pressed walnut oil

Large-scale oil paintings

Executed on heavy-weight Belgian linen stretched over custom beechwood frames, finished with natural beeswax and resin varnishes.

Archival ink studies

Hand-ground carbon black and walnut inks on handmade cotton rag papers, each bearing graphite signatures and blind studio embossing.

Every canvas leaves the studio signed in graphite, accompanied by full archival registration and custom museum crating.

Built for centuries of private collection.

Institutional security for private acquisitions

100%

Belgian linen support

Archival

Museum-grade registration

Global

Insured wooden crating

Private viewings and architectural commissions arranged directly from the easel.